Lidded incense burner (<em>xianglu</em>) with geometric decoration and narrative scenes

Before 1947

Jun Tsei Tai (1911-1992), Shanghai, China to February 1949 then New York, NY [1]

1947

Lu Wu Antiques Co., Shanghai, China purchased from Jun Tsei Tai in Shanghai [2]

February 1947

C. T. Loo & Company, New York, by transfer from Lu Wu Antiquities Co. in February 1947 in Shanghai, China [3]

From July 1947

Freer Gallery of Art, purchased from C. T. Loo & Company in July 1947 [4]

Notes:

[1] Jun Tsei Tai (more commonly known in the West as J. T. Tai), known also as Dai Fubao in Shanghai, was an incredibly successful art dealer who was initially based in Shanghai China. Tai became one of C. T. Loo's most prolific suppliers in the 1940s. In 1949, however, J. T. Tai fled with his family to Hong Kong, when Communist leaders came into power. In 1950, he immigrated to New York City, where he established J. T. Tai & Company, a successful company that specialized in the sale of Chinese arts.

See C. T. Loo's stock card no. NYL-7/982: "Bronze hill-censer on a wide spreading foot with three dragons in relief inlaid with gold, silver and various stones. Body decorated with bands of abstract motives in gold, silver with turquoise and rubies. Cover with fine rows of hills with hunting scenes, fighting animals and birds in gold, silver and hard stones inlaid, many stones missing Late Chou," copy in object file. The card states that this object came from J. T. Tai.

[2] Lu Wu was an export business that supplied C. T. Loo & Company, New York and Paris with Chinese objects. Loo formed this company in 1926. The name, Lu Wu combines the names of C. T. Loo and Wu Qi Zhou, Lu Wu's primary associates. The business acquired objects from across China, but everything passed through Shanghai before being sent to France. Zhou and Laio would send all acquisitions to Shanghai, where Wu packaged and shipped them to France. J. T. Tai (see note 1) began working with Lu Wu around 1938. Tai operated Fuyun zhai guwandian, a shop with a large inventory in Shanghai.

[3] See C. T. Loo & Company stock card cited in note 1.

[4] See C. T. Loo & Company invoice, date July 8, 1947, copy in object file.

Research updated January 25, 2022.

Freer Gallery of Art Collection

Art and Industry: China’s Houma Foundry (October 14, 2017 - ongoing)

Chinese Mountains of Immortality: A Focused Look (April 2 to September 25, 2005)

Clay and Metal: Ancient Chinese Ceramics and Metal (February 25, 1997 to August 9, 2011)

Chinese Metalwork (May 9, 1993 to March 21, 1997)

Chinese Art (February 18, 1983 to April 1, 1987)

Chinese Art (March 15, 1982 to June 15, 1982)

Chinese Art (January 1, 1963 to March 6, 1981)

Chinese Bronze, Jade, Metalwork (March 1, 1957 to January 1, 1963)

Centennial Exhibition, Galleries 14 and 15 (February 25, 1956 to March 1, 1957)

Untitled Exhibition, Chinese Art, 1955 (August 26, 1955 to October 25, 1955)

Untitled Exhibition, Ancient Chinese Art, 1946 (May 7, 1946 to February 25, 1956)

Jun Tsei Tai 戴潤齋 (1911-1992)

C. T. Loo 盧芹齋 (1880-1957)

Lu Wu Antiques Co. 盧吳古玩公司 (1911-ca. 1949)

C. T. Loo & Company (1914-1948)

From National Museum of Asian Art, released by the Smithsonian under CC0 through its Open Access programme. The Smithsonian does not endorse ModelsXi. Its own page has the object record and other copies, including full-resolution and print-ready files where they exist. The file is measured in millimetres, so engines that expect metres will show it 1,000 times too large; the size above is the real one.