Chest binder worn by professional skateboarder Leo Baker, a 3D model you can turn
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Chest binder worn by professional skateboarder Leo Baker

by National Museum of American History

Beige colored spandex chest binder is sleeveless and stops just under the breasts which Lacey (Leo) Baker used when skating.

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Triangles
149,999
Vertices
84,291
Materials
1
Textures
3, up to 2048px
Size (W × H × D)
0.30 × 0.32 × 0.23 m
Rigged
No
Style
3D scan

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chest-binder-worn-by-professional-skateboarder-leo-baker.glb: e4a039a1ff1cf2f343a635af296bff25ea9ce038e98eb08603a7193726e82be3

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Made by National Museum of American History

Objects, specimens and science from the Smithsonian's collections in 3D, released under CC0 through Smithsonian Open Access.

Original pageMore from Smithsonian Institution

Beige colored spandex chest binder is sleeveless and stops just under the breasts which Lacey (Leo) Baker used when skating.

Baker began skating at an early age, winning bronze at the 2006 X-Games at 15. It took 8 years to finally win gold but when they did, it was on their own terms, as a queer skater. Baker went on to win the Street League Skateboarding Super Crown World Championship in 2016 but it was 2017 that proved to be a pivotal year for Baker. Earning a spot on the Nike team, creating the first women’s skate shoe for Nike SB, quitting their day job as a graphic designer and moving to New York City whose ‘melting pot of communities feels like the right fit,’ are just a few changes they made once they dedicated themselves, full time, to skate.

In 2017, Baker collaborated with Brian Anderson and his Cave Homo zine which they say, “helped me feel validated and seen for who I am beyond my skateboarding identity. That’s really important for me, because for a long time the industry wanted to shape me in a way that wasn’t me.” Wanting to keep their long blonde hair and be ‘more feminine’ were the stereotypes Baker could not represent as a queer skater, and while leaving sponsors could be devastating to skaters, Baker refused to compromise their integrity and it has paid off immensely. Baker relates, “To be unapologetic about my image and who I am and then to have people acknowledge how important that is in the skate industry… I can’t even describe how that feels. To bring together girls who skate, queers who skate… and let those worlds collide. I’m lucky to be here.”

Skate is still working on its acceptance of gay or queer skaters although many of the girls who Baker skates with are in th LGBTQ Community and feel accepted among their male counterparts. Their hope for inclusion is contagious, “I would love to just carve out a bigger space for women who skate, and queer people who skate and gender non-conforming people… and just like, really open up that space for people like me, and people that understand what it’s like to experience life this way.”

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From National Museum of American History, released by the Smithsonian under CC0 through its Open Access programme. The Smithsonian does not endorse ModelsXi. Its own page has the object record and other copies, including full-resolution and print-ready files where they exist.

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